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It all begins with the close-up of a swoony smooch between two young women, so lucidly into each other that the camera refuses to see anything other than their passion.

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this thirsty kiss almost serves as a pledge by director Halina Reijn on what kind of a movie her riotously entertaining “Bodies Bodies Bodies” would be.

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And what a thrill to discover by the end that she would make good on that promise with her survive-the-night whodunit.

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In that regard, gear up for a Gen Z “And Then There Were None,” enmeshed with the lush nihilism of “A Bigger Splash”

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nd social anxieties of “Knives Out”; one that neither shyly minces uncomfortable words nor skimps on

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This open-handedness is truly a bold gamble here, as Sarah DeLappe’s screenplay (from a story by Kristen Roupenian, the author of the wildly popular New Yorker short story,

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Equally successful as the visuals is the plausibility in which Reijn constructs the world the spoiled youngsters live in.

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Sure, from “gaslighting” to “ally,” plenty of trendy buzz words get thrown around by these folks who spend their entire lives digitally on social media,

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The fun part is, your struggle is thoroughly shared by the entire cast of players, as they try to figure out who the murderer might be throughout a night 

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